For as long as there have been movies, filmmakers have been trying to predict what the future of our world might look like. Whether that be exploring the vast reaches of space or pondering how advanced technology can change our lives, the visual medium of cinema has always been perfect for transporting its viewers into a new world.Yet despite all the wonder, the future, according to science-fiction cinema, is rarely an optimistic place. AI uprisings, resource scarcity, and government and corporate oppression are common features of futuristic movie worlds. While many dark movie futures comfortably verge on the outlandish, some play on contemporary anxieties to create worlds that could be far closer to reality.Miyazaki has always been concerned with the balance of humanity and nature. But in Nausicaä, he also shows humanity’s inability to find agreement in a crisis and how easy it can be to find popular support for a violent and destructive solution. All aspects are feeling ever more real.
For as long as there have been movies, filmmakers have been trying to predict what the future of our world might look like. Whether that be exploring the vast reaches of space or pondering how advanced technology can change our lives, the visual medium of cinema has always been perfect for transporting its viewers into a new world.
Yet despite all the wonder, the future, according to science-fiction cinema, is rarely an optimistic place. AI uprisings, resource scarcity, and government and corporate oppression are common features of futuristic movie worlds. While many dark movie futures comfortably verge on the outlandish, some play on contemporary anxieties to create worlds that could be far closer to reality.
Miyazaki has always been concerned with the balance of humanity and nature. But in Nausicaä, he also shows humanity’s inability to find agreement in a crisis and how easy it can be to find popular support for a violent and destructive solution. All aspects are feeling ever more real.
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