Despite bearing the name of Marvel’s most bloodthirsty symbiote, Cult of Carnage: Misery hasn’t been the most gruesome story up to this point. In fact, at times it’s been downright campy. The miniseries by Sabir Pirzada, Francesco Mortarino, Java Tartaglia, Dono Sánchez-Almara, Fernando Sifuentes and Joe Sabino has introduced several ideas that feel cartoonish, albeit in the best possible way. The headlining character, Misery, is a combination of Anti-Venom and Carnage fused to Spider-Man supporting character Liz Allan, and issue #4 changes pace considerably, confronting the namesake of its main character in a shocking reexamination of Spider-Man history.In the latest issue, Liz Allan and her new symbiotic partner take a look back at the lingering effects of her painful past and the trauma she’s endured. This jarring change in tone recontextualizes the history of the former wife of Harry Osborn, but it’s not unwelcome. At its heart, the comic perfectly encapsulates the traits that have made symbiote stories so memorable over the past three decades. In short, Cult of Carnage: Misery is a transformative character study that balances themes of personal problems with colorful action and bombastic ideas.Cult of Carnage: Misery shines a spotlight on classic Spider-Man cast member Liz Allan, widow of the deceased Harry Osborn and former high school classmate of Peter Parker. Allan’s come a long way since her introduction, giving birth to Normie Osborn and taking in Harry’s complicated lovechild Stanley. Liz has also built an impressive business resume in recent years, and currently serves as the CEO of Alchemax. While she’s fully capable of the job, Liz is stressed by the burden it places on her family as well as her own inability to move past her relationship with Harry. At the start of the miniseries, the former Mrs. Osborn is steeped in the remains of her departed husband, discovering his Green Goblin armory and a secret phone that still receives calls.RELATED: Three of Marvel’s Symbiote Hosts are Kids — Which Raises ConcernsRELATED: Carnage Is Getting Too Strong For Marvel’s Own Good
Despite bearing the name of Marvel’s most bloodthirsty symbiote, Cult of Carnage: Misery hasn’t been the most gruesome story up to this point. In fact, at times it’s been downright campy. The miniseries by Sabir Pirzada, Francesco Mortarino, Java Tartaglia, Dono Sánchez-Almara, Fernando Sifuentes and Joe Sabino has introduced several ideas that feel cartoonish, albeit in the best possible way. The headlining character, Misery, is a combination of Anti-Venom and Carnage fused to Spider-Man supporting character Liz Allan, and issue #4 changes pace considerably, confronting the namesake of its main character in a shocking reexamination of Spider-Man history.
In the latest issue, Liz Allan and her new symbiotic partner take a look back at the lingering effects of her painful past and the trauma she’s endured. This jarring change in tone recontextualizes the history of the former wife of Harry Osborn, but it’s not unwelcome. At its heart, the comic perfectly encapsulates the traits that have made symbiote stories so memorable over the past three decades. In short, Cult of Carnage: Misery is a transformative character study that balances themes of personal problems with colorful action and bombastic ideas.
Cult of Carnage: Misery shines a spotlight on classic Spider-Man cast member Liz Allan, widow of the deceased Harry Osborn and former high school classmate of Peter Parker. Allan’s come a long way since her introduction, giving birth to Normie Osborn and taking in Harry’s complicated lovechild Stanley. Liz has also built an impressive business resume in recent years, and currently serves as the CEO of Alchemax. While she’s fully capable of the job, Liz is stressed by the burden it places on her family as well as her own inability to move past her relationship with Harry. At the start of the miniseries, the former Mrs. Osborn is steeped in the remains of her departed husband, discovering his Green Goblin armory and a secret phone that still receives calls.
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