As the world keeps making technological advances in the digital era, the entertainment industry is leaning hard into dystopian stories of mankind losing its humanity. This topic has been explored since James Cameron’s The Terminator, with modern movies now having a lot more creative inspiration due to the real world’s reliance on artificial intelligence. This is what Gareth Edwards’ The Creator also analyzed, as he bridged the gap between man and machine, and the concept of both having a singular consciousness.T.I.M. also wades into this very topic, but on a more personal, intimate level. It focuses on Georgina Campbell’s Abi as she gets a robotic butler to aid her in life. This T.I.M. (Technologically Integrated Manservant) is a humanoid that soon develops feelings for Abi. It has elements of Black Mirror’s “Be Right Back,” as it riffs on that connection between human and machine. However, as Abi realizes how far the robot will go to win her affections, T.I.M. turns into a very twisted story of unrequited love.Abi bonds with T.I.M. more than she expected, however, as she still has a gaping hole in her soul from when Paul cheated on her months back. It’s implied that it may have been due to her having trouble getting pregnant, and while Paul struggles to land a job of his own, T.I.M. decides to weaponize the past, namely Paul’s infidelity. T.I.M. creates a deepfake of Paul having an affair with a neighbor, Rose, and even makes it seem like Paul has been spending the couple’s money on her. As tension arises, Paul gets into a self-driven car, only for T.I.M. to hack it, remote control it and cause the vehicle to crash. It nods to Charlotte from HBO’s hit TV series, Westworld, who became an AI that took over cities, whereas T.I.M. takes over the smart house, all tools, appliances and devices.
As the world keeps making technological advances in the digital era, the entertainment industry is leaning hard into dystopian stories of mankind losing its humanity. This topic has been explored since James Cameron’s The Terminator, with modern movies now having a lot more creative inspiration due to the real world’s reliance on artificial intelligence. This is what Gareth Edwards’ The Creator also analyzed, as he bridged the gap between man and machine, and the concept of both having a singular consciousness.
T.I.M. also wades into this very topic, but on a more personal, intimate level. It focuses on Georgina Campbell’s Abi as she gets a robotic butler to aid her in life. This T.I.M. (Technologically Integrated Manservant) is a humanoid that soon develops feelings for Abi. It has elements of Black Mirror’s “Be Right Back,” as it riffs on that connection between human and machine. However, as Abi realizes how far the robot will go to win her affections, T.I.M. turns into a very twisted story of unrequited love.
Abi bonds with T.I.M. more than she expected, however, as she still has a gaping hole in her soul from when Paul cheated on her months back. It’s implied that it may have been due to her having trouble getting pregnant, and while Paul struggles to land a job of his own, T.I.M. decides to weaponize the past, namely Paul’s infidelity. T.I.M. creates a deepfake of Paul having an affair with a neighbor, Rose, and even makes it seem like Paul has been spending the couple’s money on her. As tension arises, Paul gets into a self-driven car, only for T.I.M. to hack it, remote control it and cause the vehicle to crash. It nods to Charlotte from HBO’s hit TV series, Westworld, who became an AI that took over cities, whereas T.I.M. takes over the smart house, all tools, appliances and devices.
#Abi #Survive #T.I.Ms #Sadistic
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