Since its debut in 1997, the One Piece franchise has helped define multiple generations of shonen media. As the best-selling manga of all time, the series’ influence is hard to overstate, especially after the recent success of its anime and live-action adaptations.One of the most underappreciated parts of the One Piece franchise is its commitment to regularly releasing movies, the latest of which — One Piece Film: Red — became the sixth highest-grossing Japanese film of all time. However, despite the success of One Piece’s theatrical releases, they’re still considered non-canon, as they consistently contradict the canon events of Monkey D. Luffy’s journey.Nothing in One Piece: The Movie directly contradicts the canon events of the series, making it one of the more unique movies in the franchise. However, anime-only elements of the film such as Gold Island and the Goe Goe no Mi, a Paramecia-type Devil Fruit, have never been mentioned in the core narrative of One Piece, so it’s hard to believe that they actually exist in the Grand Line.
Since its debut in 1997, the One Piece franchise has helped define multiple generations of shonen media. As the best-selling manga of all time, the series’ influence is hard to overstate, especially after the recent success of its anime and live-action adaptations.
One of the most underappreciated parts of the One Piece franchise is its commitment to regularly releasing movies, the latest of which — One Piece Film: Red — became the sixth highest-grossing Japanese film of all time. However, despite the success of One Piece‘s theatrical releases, they’re still considered non-canon, as they consistently contradict the canon events of Monkey D. Luffy’s journey.
Nothing in One Piece: The Movie directly contradicts the canon events of the series, making it one of the more unique movies in the franchise. However, anime-only elements of the film such as Gold Island and the Goe Goe no Mi, a Paramecia-type Devil Fruit, have never been mentioned in the core narrative of One Piece, so it’s hard to believe that they actually exist in the Grand Line.
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