Despite Avatar: Fire and Ash’s continued box office success, writer/director James Cameron hasn’t announced if he’ll move forward with the rumored fourth and fifth chapters of his multi-billion-dollar sci-fi saga. Diminishing financial returns and lack of buzz on this third outing could signal fandom’s desire for the Oscar-winner to do something else in the next phase of his career.In the 1980s, James Cameron turned unlikely sequels into hits. His follow-ups to Ridley Scott’s Alien and his own The Terminator are definitive franchise entries (other filmmakers have attempted sequels, with lackluster results). Marvel Comics recently debuted a limited series with a ridiculous title that, if adapted, could become Cameron’s wildest film yet: Alien vs. Captain America.Alien vs. Captain America reads like James Cameron’s storyboards. Artist Stefano Raffaele balances moody, terrestrial and galactic landscapes with the superhero action readers expect from nearly 20 years of MCU spectacle. It helps that he’s apparently been given free rein to play with shocking violence and gore, which Marvel has largely shied away from since launching its Alien comics in 2021.Fox notoriously bungled the 1990s Alien vs. Predator miniseries and the X-Men’s 1980 event, “The Dark Phoenix Saga,” twice.
Despite Avatar: Fire and Ash‘s continued box office success, writer/director James Cameron hasn’t announced if he’ll move forward with the rumored fourth and fifth chapters of his multi-billion-dollar sci-fi saga. Diminishing financial returns and lack of buzz on this third outing could signal fandom’s desire for the Oscar-winner to do something else in the next phase of his career.
Fox notoriously bungled the 1990s Alien vs. Predator miniseries and the X-Men’s 1980 event, “The Dark Phoenix Saga,” twice.
In the 1980s, James Cameron turned unlikely sequels into hits. His follow-ups to Ridley Scott’s Alien and his own The Terminator are definitive franchise entries (other filmmakers have attempted sequels, with lackluster results). Marvel Comics recently debuted a limited series with a ridiculous title that, if adapted, could become Cameron’s wildest film yet: Alien vs. Captain America.
Alien vs. Captain America reads like James Cameron’s storyboards. Artist Stefano Raffaele balances moody, terrestrial and galactic landscapes with the superhero action readers expect from nearly 20 years of MCU spectacle. It helps that he’s apparently been given free rein to play with shocking violence and gore, which Marvel has largely shied away from since launching its Alien comics in 2021.
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