Only Murders in the Building: [SPOILER] Is the Ideal Murder Mystery Victim

In the Only Murders in the Building Season 2 finale, set one year after neighbors Oliver Putnam, Charles-Haden Savage and Mable Mora solved a second murder for their podcast, everyone was assembled for the opening night of a Broadway show. Oliver — who had been struggling to return to the Great White Way since the start of Season 1 — was back in the director’s chair and checking in on his lead actor — who was feuding with cast mate Charles. Eventually, the lights went up, and the star of the show began to deliver his opening monologue, only to drop dead partway through. This subverted the premise established by the series’ title and left the audience with numerous questions about the latest murder — and the victim.Every actor’s worst nightmare is to die on stage. In Only Murders in the Building’s Season 3 opener, Paul Rudd’s Ben Glenroy died on stage on the opening night of Death Rattle. Because Ben had died somewhere other than the Arconia — and likely of natural causes — there didn’t seem to be anything for the intrepid murder-solving podcasters to do. However, a revived Ben showed up at the Arconia hours later, to the astonishment of everyone. It looked like the show was back on until he was murdered in the building later that night. But why was he killed so soon after his miraculous recovery? And who wanted him dead? Probably a lot of people, as it turned out.When Ben Glenroy dropped dead on stage within the first minute of Death Rattle, that seemed to be it for both Ben and the play. But Ben showing up again reignited the problems. Having left the hospital against medical advice, Ben raced to the Arconia to make amends with the show’s cast and crew for his horrible behavior during production. Unfortunately, Ben appeared to be something of a narcissist and made his one-room apology tour entirely about himself. What could have been a great moment and a second chance became an uncomfortable act of public self-involvement and established the perfect motives for murder.RELATED: How Only Murders in the Building Season 3 Avoids Repeating Seasons 1 and 2

In the Only Murders in the Building Season 2 finale, set one year after neighbors Oliver Putnam, Charles-Haden Savage and Mable Mora solved a second murder for their podcast, everyone was assembled for the opening night of a Broadway show. Oliver — who had been struggling to return to the Great White Way since the start of Season 1 — was back in the director’s chair and checking in on his lead actor — who was feuding with cast mate Charles. Eventually, the lights went up, and the star of the show began to deliver his opening monologue, only to drop dead partway through. This subverted the premise established by the series’ title and left the audience with numerous questions about the latest murder — and the victim.

RELATED: How Only Murders in the Building Season 3 Avoids Repeating Seasons 1 and 2

Every actor’s worst nightmare is to die on stage. In Only Murders in the Building’s Season 3 opener, Paul Rudd’s Ben Glenroy died on stage on the opening night of Death Rattle. Because Ben had died somewhere other than the Arconia — and likely of natural causes — there didn’t seem to be anything for the intrepid murder-solving podcasters to do. However, a revived Ben showed up at the Arconia hours later, to the astonishment of everyone. It looked like the show was back on until he was murdered in the building later that night. But why was he killed so soon after his miraculous recovery? And who wanted him dead? Probably a lot of people, as it turned out.

When Ben Glenroy dropped dead on stage within the first minute of Death Rattle, that seemed to be it for both Ben and the play. But Ben showing up again reignited the problems. Having left the hospital against medical advice, Ben raced to the Arconia to make amends with the show’s cast and crew for his horrible behavior during production. Unfortunately, Ben appeared to be something of a narcissist and made his one-room apology tour entirely about himself. What could have been a great moment and a second chance became an uncomfortable act of public self-involvement and established the perfect motives for murder.

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