One of the most intriguing aspects of Matt Reeves’ The Batman is how it’s spun off into a much bigger project than just the big screen. Reeves himself has said he’d love to explore Arkham, as well as Selina Kyle’s past and present as Catwoman. But first on the docket is a TV series detailing Colin Farrell’s Penguin in the wake of Carmine Falcone’s downfall.Interestingly, DC put out a comic fleshing out more of The Batman’s world: The Riddler: Year One. It was written by Paul Dano, who played Riddler, with art by Stevan Subic and letters by Clayton Cowles. In just six issues, Dano expands on the motivation and horror of Edward Nashton. This miniseries is also proof the obsessive, manic Riddler has more than enough creative meat for his own show on Max.The Riddler: Year One dives deep into the orphanage Thomas Wayne funded and how important a role it played in Edward’s development. The movie glossed over this aspect, but Dano’s writing affirms all the angst Edward had inside. He was emotionally and physically abused there, yet, when Thomas visited and called him “son,” he felt whole again.RELATED: Batman Movies Often Have Car Chase Scenes – But Which Is the Absolute Best?RELATED: Why Robert Pattison’s Batman Is Already the Best Live-Action Version
One of the most intriguing aspects of Matt Reeves’ The Batman is how it’s spun off into a much bigger project than just the big screen. Reeves himself has said he’d love to explore Arkham, as well as Selina Kyle’s past and present as Catwoman. But first on the docket is a TV series detailing Colin Farrell’s Penguin in the wake of Carmine Falcone’s downfall.
Interestingly, DC put out a comic fleshing out more of The Batman’s world: The Riddler: Year One. It was written by Paul Dano, who played Riddler, with art by Stevan Subic and letters by Clayton Cowles. In just six issues, Dano expands on the motivation and horror of Edward Nashton. This miniseries is also proof the obsessive, manic Riddler has more than enough creative meat for his own show on Max.
The Riddler: Year One dives deep into the orphanage Thomas Wayne funded and how important a role it played in Edward’s development. The movie glossed over this aspect, but Dano’s writing affirms all the angst Edward had inside. He was emotionally and physically abused there, yet, when Thomas visited and called him “son,” he felt whole again.
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