With the end of Matt Groening’s Disenchantment, the fractured fairy tale fantasy series has made its way into the comics. Disenchantment: Untold Tales Vol. 1 follows the misadventures of Princess Bean, Elfo the Elf, and Luci the Demon, set during the series’ first season, the onset of the unlikely heroes’ escapades before the drama really began. From growing and climbing beanstalks, camping with Prince Derek, and hosting an ill-fated dinner party to history’s most outrageous pub crawl, medieval hijinks are sure to ensue.RELATED: Max Riffner’s The Walk Is Existential Sci-Fi With A Retro TouchWith Disenchantment being a Groening franchise with a set art style, it is no surprise that Disenchanted: Untold Tales Vol. 1 boasts consistent art throughout. The majority of it is helmed by penciler Jason Ho, inker Nathan Kane, artist Jacob Chabot, and colorist Art Villanueva, with letters throughout by Karen Bates. The trio of Ho, Kane, and Chabot create a cohesive visual experience almost totally indistinguishable from the original series, with characters remaining on-model at all times and the designs of the worlds being accurate, or at least believable, to the show. Even the new settings — the Giant-run utopia in the clouds and the Aztec-inspired jungle inhabited by the Quelfolitos — feel like something straight out of a real episode of the series. Villaneuva’s c
With the end of Matt Groening’s Disenchantment, the fractured fairy tale fantasy series has made its way into the comics. Disenchantment: Untold Tales Vol. 1 follows the misadventures of Princess Bean, Elfo the Elf, and Luci the Demon, set during the series’ first season, the onset of the unlikely heroes’ escapades before the drama really began. From growing and climbing beanstalks, camping with Prince Derek, and hosting an ill-fated dinner party to history’s most outrageous pub crawl, medieval hijinks are sure to ensue.
With Disenchantment being a Groening franchise with a set art style, it is no surprise that Disenchanted: Untold Tales Vol. 1 boasts consistent art throughout. The majority of it is helmed by penciler Jason Ho, inker Nathan Kane, artist Jacob Chabot, and colorist Art Villanueva, with letters throughout by Karen Bates. The trio of Ho, Kane, and Chabot create a cohesive visual experience almost totally indistinguishable from the original series, with characters remaining on-model at all times and the designs of the worlds being accurate, or at least believable, to the show. Even the new settings — the Giant-run utopia in the clouds and the Aztec-inspired jungle inhabited by the Quelfolitos — feel like something straight out of a real episode of the series. Villaneuva’s c
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