As we enter the world of Love Lies Bleeding — seduced by the extraterrestrial electronic tinkerings of composer Clint Mansell — the camera floats, like a moth to flame, toward an unnatural, Mülleresque green light. The location is New Mexico. More specifically, Crater Gym. For a moment, it seems like this film might have something to do with otherworldly visitors; in a sense, it does.Inside the gym, we meet Lou (Kristen Stewart), who’s put off and put out by the mind-numbingly menial tasks that make up her day as manager. Lou’s days are devoted to staring with equal parts admiration and disdain at the iron-pumpers, who likely never leave the place for fear of having to find something else to do in town. And there’s not much else to do ’round these here parts — except, of course, shoot guns.As Lou fends off the advances of her on-again-off-again fling, Daisy (Anna Baryshnikov), the yellow-toothed dolt who might just be the only game in town, Jackie (Katy O’Brian) appears. Fitting right in with the protruding pectorals, Jackie confidently gets her reps in, sizing herself up in the mirror and stealing a glance at Lou, who returns the look with a forlornly bashful look that Stewart has mastered and used to significant effect in films like Twilight (2008) and Spencer (2021).
As we enter the world of Love Lies Bleeding — seduced by the extraterrestrial electronic tinkerings of composer Clint Mansell — the camera floats, like a moth to flame, toward an unnatural, Mülleresque green light. The location is New Mexico. More specifically, Crater Gym. For a moment, it seems like this film might have something to do with otherworldly visitors; in a sense, it does.
Inside the gym, we meet Lou (Kristen Stewart), who’s put off and put out by the mind-numbingly menial tasks that make up her day as manager. Lou’s days are devoted to staring with equal parts admiration and disdain at the iron-pumpers, who likely never leave the place for fear of having to find something else to do in town. And there’s not much else to do ’round these here parts — except, of course, shoot guns.
As Lou fends off the advances of her on-again-off-again fling, Daisy (Anna Baryshnikov), the yellow-toothed dolt who might just be the only game in town, Jackie (Katy O’Brian) appears. Fitting right in with the protruding pectorals, Jackie confidently gets her reps in, sizing herself up in the mirror and stealing a glance at Lou, who returns the look with a forlornly bashful look that Stewart has mastered and used to significant effect in films like Twilight (2008) and Spencer (2021).
#REVIEW #Love #Lies #Bleeding #Leaves #Wanting #Katy #OBrian
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