Bob Reynolds — the original Sentry — is one of the most powerful heroes in the Marvel Universe. After consuming a prototype super-serum, Reynolds is gifted an incredible suite of powers. Fueled by solar absorption and dependent on his mental state, Sentry’s powers are near limitless. When Knull — God of the Symbiotes — attacked the Earth, Sentry met him in orbit to do battle. Knull promptly ripped the Sentry into pieces, leaving him dead and the world without one of its most powerful heroes. Luckily, it’s impossible to keep a good superhero mantle down for the count. Now, random people across the universe are manifesting the powers of the Sentry and experiencing flashes of Reynolds’ memories. Sentry #1, written by Jason Loo with art by Luigi Zagaria, colors by Arthur Hesli, and letters by VC’s Joe Caramagna, brings readers a new entry into the legacy of the Sentry.The two leads of this issue are Jessica Jones and Misty Knight. Jessica is adjusting to her life as the first lady of New York City — with her husband Luke Cage serving as Mayor — while she reopens Alias Investigations. Misty is running the Aberrant Crimes Division, a branch of the FBI responsible for monitoring Bob Reynolds. The two cross paths on the scene of a local building collapse. Jessica arrives to do what she can to help the survivors, while Misty arrives because she believes the incident is related to the Sentry. Throughout the issue, the dynamic between the two is strained. It’s clear that Jessica wants to do what she can to help people and work with Misty. Misty, however, seems unwilling to be a team player.Zagaria handles the art for this issue and does a stellar job. There are a variety of locations rendered here, and each of them has an impressive level of detail. Those details become even more striking when the environment is hit by destructive forces. Geography on the page and within the scene is crucial for this issue, and Zagaria does an exceptional job. Jessica and Misty investigate a building collapse early on in the issue, so it’s important to establish a clear layout of the space the characters are operating within. This is done well and taken a step further when readers are taken back to that same location before the collapse. It’s an amazing level of consistency and attention to detail.
Bob Reynolds — the original Sentry — is one of the most powerful heroes in the Marvel Universe. After consuming a prototype super-serum, Reynolds is gifted an incredible suite of powers. Fueled by solar absorption and dependent on his mental state, Sentry’s powers are near limitless. When Knull — God of the Symbiotes — attacked the Earth, Sentry met him in orbit to do battle. Knull promptly ripped the Sentry into pieces, leaving him dead and the world without one of its most powerful heroes. Luckily, it’s impossible to keep a good superhero mantle down for the count. Now, random people across the universe are manifesting the powers of the Sentry and experiencing flashes of Reynolds’ memories. Sentry #1, written by Jason Loo with art by Luigi Zagaria, colors by Arthur Hesli, and letters by VC’s Joe Caramagna, brings readers a new entry into the legacy of the Sentry.
The two leads of this issue are Jessica Jones and Misty Knight. Jessica is adjusting to her life as the first lady of New York City — with her husband Luke Cage serving as Mayor — while she reopens Alias Investigations. Misty is running the Aberrant Crimes Division, a branch of the FBI responsible for monitoring Bob Reynolds. The two cross paths on the scene of a local building collapse. Jessica arrives to do what she can to help the survivors, while Misty arrives because she believes the incident is related to the Sentry. Throughout the issue, the dynamic between the two is strained. It’s clear that Jessica wants to do what she can to help people and work with Misty. Misty, however, seems unwilling to be a team player.
Zagaria handles the art for this issue and does a stellar job. There are a variety of locations rendered here, and each of them has an impressive level of detail. Those details become even more striking when the environment is hit by destructive forces. Geography on the page and within the scene is crucial for this issue, and Zagaria does an exceptional job. Jessica and Misty investigate a building collapse early on in the issue, so it’s important to establish a clear layout of the space the characters are operating within. This is done well and taken a step further when readers are taken back to that same location before the collapse. It’s an amazing level of consistency and attention to detail.
#REVIEW #Marvels #Sentry
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