Sofia Coppola’s Priscilla Debuts With Near-Perfect Score at Rotten Tomatoes

The praise for Priscilla is nearly unanimous with Rotten Tomatoes critics going wild over the film.From A24 and director Sofia Coppola, Priscilla is a biopic that focuses on Priscilla Presley, along with the exploration of her relationship with ex-husband Elvis Presley. Cailee Spaeny stars as Priscilla opposite Jacob Elordi as Elvis, and both have drawn great praise from critics following the film’s world premiere at the Venice International Film Festival. With the early reviews coming in from approved critics at Rotten Tomatoes, the film currently sits with a score of 95% based on 19 reviews.”Spaeny captivates throughout — Priscilla learns when to remain silent, and Spaeny’s eyes convey volumes within those silences — and she’s matched by Elordi, who captures the magnetism and the occasional monstrousness of the superstar without caricature,” says Alonso Duralde of The Film Verdict. Josh Parham of Next Best Picture declared the film to be superior to Baz Luhrmann’s Elvis, writing, “This is not merely the better of the two films concerning certain factors in Elvis Presley’s life. It’s one of the best films Coppola has made yet.”Related: Priscilla Presley Praises How Upcoming Biopic Handles Her Relationship With Elvis

The praise for Priscilla is nearly unanimous with Rotten Tomatoes critics going wild over the film.

Related: Priscilla Presley Praises How Upcoming Biopic Handles Her Relationship With Elvis

From A24 and director Sofia Coppola, Priscilla is a biopic that focuses on Priscilla Presley, along with the exploration of her relationship with ex-husband Elvis Presley. Cailee Spaeny stars as Priscilla opposite Jacob Elordi as Elvis, and both have drawn great praise from critics following the film’s world premiere at the Venice International Film Festival. With the early reviews coming in from approved critics at Rotten Tomatoes, the film currently sits with a score of 95% based on 19 reviews.

“Spaeny captivates throughout — Priscilla learns when to remain silent, and Spaeny’s eyes convey volumes within those silences — and she’s matched by Elordi, who captures the magnetism and the occasional monstrousness of the superstar without caricature,” says Alonso Duralde of The Film Verdict. Josh Parham of Next Best Picture declared the film to be superior to Baz Luhrmann’s Elvis, writing, “This is not merely the better of the two films concerning certain factors in Elvis Presley’s life. It’s one of the best films Coppola has made yet.”

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