Members of the Spider-Man: Across the Spider-Verse crew share some creative insights into the making of Gwen’s world.These tidbits are featured in a clip from the home release of Across the Spider-Verse, which has been released exclusively by Screen Rant. Art director Dean Gordon noted, “The look for Gwen’s world comes from her comic books and there’s a lot of unusual color choices. In our world, the primary colors are yellow, red and blue. In her world, they are cyan, orange and violet.” Mike Lasker, a visual effects supervisor, added, “Gwen’s world, it’s a very wet medium, it’s brushy, we have dripping paint.”Visual development artist Jay Thakur doubled down on the comic book sensibilities of Gwen’s home dimension: “It was more of a loose watercolor style along with influences from the comic books, which had these graphic cutouts.”RELATED: How Across the Spider-Verse’s Animators Finalized The Spot’s Look
Members of the Spider-Man: Across the Spider-Verse crew share some creative insights into the making of Gwen’s world.
These tidbits are featured in a clip from the home release of Across the Spider-Verse, which has been released exclusively by Screen Rant. Art director Dean Gordon noted, “The look for Gwen’s world comes from her comic books and there’s a lot of unusual color choices. In our world, the primary colors are yellow, red and blue. In her world, they are cyan, orange and violet.” Mike Lasker, a visual effects supervisor, added, “Gwen’s world, it’s a very wet medium, it’s brushy, we have dripping paint.”
Visual development artist Jay Thakur doubled down on the comic book sensibilities of Gwen’s home dimension: “It was more of a loose watercolor style along with influences from the comic books, which had these graphic cutouts.”
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