After the critically panned second installment in the Thor trilogy, The Dark World, Thor: Ragnarök director Taika Waititi brought a whole new character to life and had fans clamoring to see what he’d do next. With many quotable lines and a villain more powerful than Thor, Waititi almost gave Thor a brand-new origin story within Thor: Ragnarök as audiences watched the hero come into his own power. All in all, Thor: Ragnarök is often regarded as one of the best MCU films, but it could’ve easily snatched the spot of the #1 MCU movie with a tiny change to its main villain, Hela.In Thor: Ragnarök, the MCU’s version of Hela is introduced as Thor and Loki’s older sister, the Asgardian Goddess of Death. Imprisoned by her father Odin after her hunger for power exceeded his, Hela is set free by Odin’s death. As the rightful heir to the Asgardian throne, Hela wants to continue her former goal of conquering all the realms, showing her power when she destroys Thor’s hammer, Mjölnir. It’s a powerful introduction to the film’s villain and highlights that the heroes will need more than just brute strength to beat her. Most of the movie shows Thor trying to find his way back to Asgard, but the moments that focus on Hela, as well as the final battle, could have given Thor: Ragnarök the emotional backbone needed to push such a comedic film to the top of the MCU’s roster.Much like the figure in Norse Mythology, Marvel Comics’ Hela is the daughter of Loki, but the MCU’s twist gave the villain monumental potential, not just due to her power but also thanks to her political standing as the rightful heir to the Asgardian throne. However, Hela had never been mentioned before this, so the film makes a point to inform the audience that Odin tried to hide away the darkness of his past with Hela. Later on in the film when Hela is inside Odin’s palace, however, it’s shown that murals of Hela and her conquest still lie just below the surface of newer paintings.RELATED: Ragnarok Turned Thor Into Its Own Black Widow – And It Worked to Perfection
After the critically panned second installment in the Thor trilogy, The Dark World, Thor: Ragnarök director Taika Waititi brought a whole new character to life and had fans clamoring to see what he’d do next. With many quotable lines and a villain more powerful than Thor, Waititi almost gave Thor a brand-new origin story within Thor: Ragnarök as audiences watched the hero come into his own power. All in all, Thor: Ragnarök is often regarded as one of the best MCU films, but it could’ve easily snatched the spot of the #1 MCU movie with a tiny change to its main villain, Hela.
In Thor: Ragnarök, the MCU’s version of Hela is introduced as Thor and Loki’s older sister, the Asgardian Goddess of Death. Imprisoned by her father Odin after her hunger for power exceeded his, Hela is set free by Odin’s death. As the rightful heir to the Asgardian throne, Hela wants to continue her former goal of conquering all the realms, showing her power when she destroys Thor’s hammer, Mjölnir. It’s a powerful introduction to the film’s villain and highlights that the heroes will need more than just brute strength to beat her. Most of the movie shows Thor trying to find his way back to Asgard, but the moments that focus on Hela, as well as the final battle, could have given Thor: Ragnarök the emotional backbone needed to push such a comedic film to the top of the MCU’s roster.
Much like the figure in Norse Mythology, Marvel Comics’ Hela is the daughter of Loki, but the MCU’s twist gave the villain monumental potential, not just due to her power but also thanks to her political standing as the rightful heir to the Asgardian throne. However, Hela had never been mentioned before this, so the film makes a point to inform the audience that Odin tried to hide away the darkness of his past with Hela. Later on in the film when Hela is inside Odin’s palace, however, it’s shown that murals of Hela and her conquest still lie just below the surface of newer paintings.
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